The Uploaded File Could Not Be Moved to Wp-content/uploads/1989/06. Wordpress
Brandon Lipman, Josh Blum & Kyle McKnight
COMM 201: Mass Media & Society
Do the Right Thing by Spike Lee (1989)
On June xxx, 1989, Spike Lee'due south comedy-drama Practice the Right Thing debuted in movie theaters all over America. A commercial success that has received a number of accolades such as an academy award for 'Best Original Screenplay,' Do the Right Thing tells the story of the growing racial tension between a Bedford Stuyvesant neighborhood's African-American majority and caucasian minority on the hottest 24-hour interval of summer. The moving-picture show features actors such as John Turturro, Samuel Fifty. Jackson, Martin Lawrence and fifty-fifty Fasten Lee himself. Sparking conversations virtually racial and social issues that keep to this day, Spike Lee's product was deemed "culturally significant" by the U.S. Library of Congress in 1999. In club to sympathise why this film is, the main theme, portrayal of cultures, stereotypes and racial issues must be identified.
This film has a constant theme of peace and disharmonize competing with each other. It opens to a scene of an empowered female dancing on a Brooklyn sidewalk to the hip-hop song "Fight the Power" by Public Enemy, which sets a violent tone from the kickoff. In the adjacent scene, Samuel L. Jackson plays Mr. Señor Love Daddy, the host of "Nosotros Love" radio station. Equally he wears a rastafarian-colored cap, sunglasses and a colorful, patterned shirt, Señor Beloved Daddy tells his audience that he is "doing the ying and the yang, the hip and the hop, the stupid fresh matter, the flippity flop," embracing and delivering urban black culture to the community. This serves equally a contrast to the opening dance scene, as it is peaceful and accepting.
Throughout the motion-picture show, hip-hop culture dominates the setting equally Radio Raheem walks around in a "Bedstuy, Practise or Die" t-shirt, camouflage shorts and Michael Jordan sneakers, with his boombox blasting hip-hop music. At the same, his African American peers seem to enjoy listening while hanging out on the sidewalk and staircases, and shouting to each other from the streets to flat windows. While this behavior is pretty normal for those living in the community, those who belong to the caucasian minority, such equally Sal, Vito and Pino, oft become irritated by it, specially when it is brought into their pizzeria. Mookie, the primary graphic symbol played by Fasten Lee, works equally a delivery boy with Sal, Vito and Pine at Sal's Pizzeria–the only white-operated business in the neighborhood. Every bit Pino becomes increasingly distrustful of Mookie throughout the flick, Sal and Vito remain neutral, encouraging Mookie and forgiving him for his laziness. At the same time, Mookie's simply focus is on "getting paid," even so he has neither ambition nor respect for the business organization, specially because of Pino'southward racism. Mookie is seen the happiest when he is counting his money; he also uses it as an excuse to neglect his responsibilities such equally his girlfriend and his son. Sal, on the other hand, believes he can make all of his problems disappear by throwing money at them, similar what he does with Da Mayor and Smiley: he hands them a couple of bucks to make them go away. This exemplifies the notion that people are driven by the dollar in capitalistic America. When tension builds in the pizzeria and neighborhood, Mr. Señor Dearest Daddy acts as a mediating overseer of all social and racial events throughout the neighborhood, while Radio Raheem directly contrasts the personality of Mr. Señor Love Daddy with his blasting of music that condones anger and violence; he is a source of further tension throughout the film.
Throughout the film, there are a number of incidents that push the different races in the neighborhood even farther apart. Even one of the nicest of all people in the neighborhood, Da Mayor, demonstrates extreme discrimination when he walks into a convenience store owned past a korean couple. Subsequently he notices that the shop had ran out of Miller Lite beer, he says, "This ain't Korea, or Prc, or wherever you come from. You get some Miller Light!" Equally the day goes on in the film, the function of stereotyping becomes more of import to the plot and eventual tragedy of the story. For example, the first significant source of tension betwixt Sal's Pizzeria and the black community is when Buggin' Out notes that Sal's "Wall of Fame," a photo gallery of famous Italian-Americans, includes no people of color. All of a sudden, Buggin' Out stereotypes Sal, a minority in the community, and automatically believes he has something against blacks when, in fact, Sal loves serving the people of his neighborhood and even stands upwardly for them confronting his racist son Pino. Outraged, Buggin' Out resorts to the streets and demands a neighborhood boycott of the concern.
In another example, fifty-fifty more tension builds in the pizzeria when Mookie asks Pino why he e'er hears him maxim the 'North' give-and-take when his favorite celebrities are African-American. Pino then tells Mookie that Eddie Murphy, Prince and Magic Johnson are "more than blackness." In Pino's mind, he means that near black people cannot possess the qualities that these celebrities do, because if they do, they don't fit the mold of Pino's perspective of 'black.' He later tells his father Sal that every time he comes to work, "information technology'south similar planet of the apes." In these scenes, Pino'south stereotyping and attributed value of African-Americans is revealed, which serves every bit more than fuel to the growing burn down of racial tension in the neighborhood. In a later scene, a character from each race in the community uses the most derogatory language possible to express their truthful feelings against each other :
Mookie : Dago, wop, guinea, garlic-breath, pizza-slingin', spaghetti-bendin', Vic Damone, Perry Como, Luciano Pavarotti, Sole Mio, nonsingin' motherf**ker.
Pine : You aureate-teeth-gold-concatenation-wearin', fried-craven-and-biscuit-eatin', monkey, ape, birdie, big thigh, fast-runnin', loftier-jumpin', spear-chuckin', three-hundred-sixty-caste-basketball game-dunkin' titsun spade Moulan Yan. Take your f**kin' pizza-pizza and go the f**k dorsum to Africa.
Stevie : You niggling slanty-eyed, me-no-speaky-American, own-every-fruit-and-vegetable-stand-in-New-York, bullsh*t, Reverend Sun Myung Moon, Summer Olympics '88, Korean kick-boxing son of a b*tch.
Officer Long : You Goya bean-eating, fifteen in a car, thirty in an apartment, pointed shoes, cherry-red-wearing, Menudo, mire-mire Puerto Rican c**ksucker. Yep, y'all!
Sonny : It's cheap, I got a good toll for y'all, Mayor Koch, "How I'k doing," chocolate-egg-foam-drinking, bagel-and-lox, B'nai B'rith Jew a**hole. (Lee)
This scene serves as a visual and auditory representation of the racial and social tension and intolerance building up on the hottest 24-hour interval of summer, in the melting pot of Brooklyn, New York. After this scene, however, Mr. Señor Dearest Daddy steps in once once again to mediate the state of affairs on his radio station, maintaining the theme of peace versus conflict, or as Radio Raheem would say with his four-finger rings, "Honey versus hate."
Fasten Lee'south messages in this movie are both 'in your face' and left for interpretation. When viewing this motion picture, we found that Spike Lee puts an accent on the fragility of a community with unlike races. He puts the competition for survival and power, stereotyping and racial intolerance correct in the viewers face up, leaving information technology upward to the viewer to enquire questions almost racism as a bigger picture. Throughout the entire film, each grapheme tries to 'do the right matter', leading to the downfall of the community because of the wide multifariousness of what the people recognize as "right." Therefore, equally a viewer, it is important to be open-minded about the messages Spike Lee sends.
References
Canby, Five. (1989, June 29). Review/Film; Spike Lee Tackles Racism In 'Practise the Right Thing' Retrieved July 29, 2014, from http://www.nytimes.com/1989/06/30/movies/review-pic-spike-lee-tackles-racism-in-practise-the-correct-thing.html
Do the Correct Thing. (due north.d.). Retrieved July thirty, 2014, from http://www.rottentomatoes.com/m/do_the_right_thing/
Lee, S. (Manager). (1989). Do the Right Thing [Movement picture on Xfinity Online]. Universal Home Entertainment.
Lee, S. (northward.d.). The Internet Movie Script Database (IMSDb). Retrieved July 29, 2014, from http://www.imsdb.com/scripts/Exercise-The-Correct-Matter.html
Who actually is Doing the Correct Thing; a disquisitional assay of Do the Correct Thing, and how it pertains to our society. (northward.d.). Retrieved July 29, 2014, from http://english131blog.wordpress.com/2007/11/xv/who-actually-is-doing-the-right-thing-a-disquisitional-assay-of-do-the-correct-thing-and-how-it-pertains-to-our-society/
Meeting my first higher professor was a fun experience. I decided to take Mass Media (COMM 100) this summer because I am interested in the different ways that businesses interact with society through technology and other media. For this class, a requirement is that you take a ane-on-one chat with the teacher, Professor Nichols, to get to know each other and talk near any thoughts on transitioning to higher. When coming to Penn State, I expected my professors to be strict and uninterested in getting to know their students. Notwithstanding, when I walked into Professor Nichols' office, I was greeted with a sense of welcoming and curiosity.
Right earlier this 1-on-ane meeting, I had been stopped past a police officer for riding my skateboard (story is in another blog post below), so my mind was on that incident. I told her about what had just happened and that my brother bought me a brand new skateboard as a graduation gift. I and so began to talk near my brother and how he is pursuing a career equally a musician, which then led me to tell her that I am likewise a musician, and that I play drums and produce hip-hop beats. Suddenly, I learned that her beau has been touring around the earth with blues legend B.B. King his whole life, and that the other day he "got off the phone with Snoop Dogg." All I could think was, "Professor Nichols, you just went upwards in my volume," not because of her boyfriend's chore, merely because we were able to have an crawly conversation and relate to each other. I am glad I chose this course; I am enjoying the topics discussed in form and have a professor who now knows who I am.
Almost two weeks into the summertime semester, I needed to visit my professor during her evening role hours for a one-on-one meeting. I didn't want to walk all the mode from south halls to Willard Edifice because it commonly takes about 15 minutes. So, I picked up my skateboard and left Simmons Hall. Once I got to Pollock Road, I set my board on the ground and started riding along the sidewalk. It only took me about one minute to get from the dorm to the HUB; nonetheless, when I got to the HUB I could non aid but look over to a police auto in the street, going about the same speed as I was. The window rolled down, a police officer looked at me and so pointed to the corner of the next intersection.
What the hell?I thought. I picked up my board and walked over to the corner where she had stopped her patrol car.
She stepped out of the car and said something like, "You know you can't exist riding skateboards on campus, correct?" Well, it would have been nice to know that beforehand, especially when I see tons of kids riding skateboards along Pollock Road everyday.
"No, I didn't know that," I responded.
"Are you lot a freshman?"
"Yes. I just moved in last Sun."
"Well since you are a new student, yous're non going to arrive problem," she said. Phew, okay, I idea. "I'g just going to demand your data so that if you are caught skateboarding again, you will be referred to the Part of Student Affairs,"…. or something like that. I then gave her my student ID and New Jersey driver'south license; she wrote down all of my information on a notepad while saying some stuff most me on her radio. At the same, I saw a agglomeration of my friends walking down the street trying to ask me what happened. I stood in that location patiently, half of me embarrassed and the other frustrated. She finished up and got dorsum in her car.
"Have a nice day," I said every bit we parted means.
What am I supposed to practise with this skateboard now?
I look forwards to:
- meeting new people
- getting to know the school
- doing well in my classes
I am the most anxious about:
- balancing schoolwork and social life
- getting "lost in the crowd"
I really want to get involved in:
- greek life
- interesting clubs
- intramural sports
By the terminate of my first semester, I would like to:
- accept a GPA of at least three.five
- explore subjects and get closer to finding my niche
- be involved in both academic and social clubs and activities
Source: https://sites.psu.edu/brandonlipmanleap225/
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